James Cameron, Vince Pace Team With BBC Earth, Evergreen on 'Walking With Dinosaurs 3D' Film

AMSTERDAM -- James CameronandVince Pace's Cameron | Pace Group is bringingits expertise toWalking With Dinosaurs3D, a CGI and live-action 3D theatrical feature being produced by BBC Earth Films, Evergreen Films and Reliance Pictures.our editor recommendsFox Sets 'Walking With Dinosaurs' for Christmas 2013 ReleaseJames Cameron, Vince Pace Announce New 3D Venture Reliance is financing the movie, and worldwide rights are being handled by its subsidiary IM Global. Fox holds U.S. rights and has scheduled the film for a late 2013 release. STORY: 'Glee' Movie Goes 3D with Cameron-Pace The Cameron | Pace Fusion 3D camera system, used on features includingAvatarandTransformers: Dark of the Moonand forlive 3D broadcasts of sports including the U.S. Open Tennis Championship for ESPN3D, will be employed onWalking With Dinosaurs. With the agreement, Evergreen becomes the first "CPG certified" company, meaning that it is exclusively adopting CPG technology for its 3D productions. Also on Evergreen's plate is another 3D production,Enchanted Kingdom. STORY James Cameron Wows CineEurope With First Footage of 'Titanic 3D' "Our goal was to create a brand name that was associated with quality in 3D," Cameron toldThe Hollywood Reporter. "To do that, we had to have the best technology we could come up with in-house and operate that technology in the field, and most importantly we had to form alliances and partnerships with people who also want to do high-quality 3D. Evergreen and the BBC are perfect examples of this." Walking With Dinosaursis in production in Alaska, where Evergreen is headquartered. The feature carries a $65 million budget and will benefit from production incentives offered in the state. The film is based on the hit TV show and the wildly successful arena show that it spawned. STORY: As He Converts "Titanic" to 3D, James Cameron Raises Bar on Film Restorations Red Epic cameras also will be used in the live-action shooting, which will be combined with animation by Sydney-headquartered Animal Logic (Happy Feet). Related Topics 3D Avatar James Cameron BBC

Taylor Swift, Blake Shelton Nominated for Top CMA Award

The nominations for the 45th annual Country Music Association Awards were announced on Tuesday morning -- and Zac Brown Band snagged the most with seven.our editor recommendsGwyneth Paltrow Makes Live Country Debut at CMA AwardsGwyneth Paltrow to Make Live Singing Debut on CMA AwardsIt's Official: Taylor Swift Sells Over 1 Million Albums in a Week'Footloose' Soundtrack to Feature Blake Shelton, Victoria Justice Taylor Swift, a former entertainer of the year winner, will vie for the top prize again (she is the only female artist nominated in the category), in addition to her five other nominations. The 21-year-old country singer is up for female vocalist of the year, album of the year for Speak Now, music video of the year for "Mean,"song of the year for "Mean" and for co-producing Speak Now. PHOTOS: Taylor Swift Turns 21 Jason Aldean is nominated in five categories this year, though he has never taken home an award. This year, he has been recognized in the entertainer of the year, male vocalist, album, single of the year and music video of the year categories. The latter two nominations are for his song with former American Idol winner Kelly Clarkson, "Don't You Wanna Stay." The Voice musician coach and last year's winner in the male vocalist category, Blake Shelton, has been nominated for five awards. "Old Alabama," Shelton's song with Alabama, snagged two of those nominations, for musical event and video of the year. Shelton is also nominated for entertainer of the year, male vocalist of the year and single of the year for "Honey Bee." PHOTOS: The Billboard Music Awards Other nominees of note include The Civil Wars in the vocal duo category, along with Eric Church and Chris Young in the new artist category. Miranda Lambert, Martina McBride and Sara Evans will vying for the female vocalist of the year title, with Swift and Carrie Underwood. Lady Antebellum, The Band Perry, Rascal Flatts and Little Big Town will compete with the Zac Brown Band for vocal group of the year. PHOTOS: Teen Choice Awards Red Carpet The CMA Awards will be broadcast on Tuesday, Nov. 9 from Nashville beginning at 8 p.m. on ABC. Paisley and Underwood will take on hosting duties. Billboard contributed to this report. Related Topics CMA Awards Carrie Underwood Taylor Swift Blake Shelton Brad Paisley

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Restored Ray experimental feature preems

The legacy of Hollywood maverick Nicholas Ray is pending large about the Lido where his freshly restored, groundbreaking "We Can Not Go Back Home Again" finally world-preemed in the finished form -- together with a brand new docu along with a panel discussion -- in front of present day centennial from the "Digital rebel With no Cause" helmer's birth.A hastily put together version of "Can't Go Back HomeInch tested in Cannes in 1973 like a work-in-progress. The experimental, multi-narrative film, shot in early seventies by Ray together with his film students at SUNY Binghamton's Harpur College, in upstate New You are able to, has found its definitive form, faithful to his original conception."I began trying to get this done immediately after Nick died 32 years back,Inch Susan Ray, his widow, told Variety.But, she candidly accepted, "I am glad I wasn't in a position to really get it done until quite lately, because I desired to mature."Throughout this time around, she recognized that, rather than re-editing, what it really needed only agreed to be large enhancements within the pictures and seem excellence of the existing version."We did not recut whatsoever and i believe it had been a smart decision," she stated. "Basically had attempted meddle by using it, it could have been another person's film."Ray describes the boundary-pushing work, which includes layered political and psychedelic images shot in a number of formats, to be "somewhere about the interface between cinema and art work.InchInchI believe we have reached a period when the vocabulary of the film is a lot more identifiable by youthful people," she noted.Venice chief Marco Mueller have been thinking about refreshing the pic since he was director from the Rotterdam Film Festival two decades ago.And, in the current role as Lido The almighty, Mueller's stamp of approval paved the way in which for this to occur, Ray stated.The restoration was completed through the Nicholas Ray Foundation using the Venice Biennale, the Netherlands' EYE Film Institute and also the Academy Film Archive.Following its Venice bow, pic will screen in the New You are able to Film Festival, among a slew of other occasions.Like a companion piece, Susan Ray also shot a documentary entitled "Don't Over Expect,Inch exploring her husband's method of pointing and also the relationship between his existence and art within the latter many years of his existence.Oscilloscope lately acquired United States privileges to both game titles. The program is perfect for a DVD and multiple digital platform release in 2012.Both films will air on Turner Classic Movies at the end of October. Contact Nick Vivarelli at nvivarelli@gmail.com

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Good Fences

Good Fences is about an upwardly mobile black family for whom the American dream becomes a nightmare. Set in the 1970s, Tom Spader is an attorney who is determined to end what he has dubbed "the colored man's losing streak." When his winning of a high-profile case thrusts him into the limelight, he decides to moves his wife and their two kids out of their mixed lower-middle-class town and into the posh enclave of Greenwich, Connecticut.

Rosamund Pike In Talks for One Shot With Tom Cruise

Should have been you, Hayley Atwell. Deadline reports that Rosamund Pike is in negotiations to star opposite Tom Cruise in One Shot, the Christopher McQuarrie-directed adaptation of Lee Child’s 2005 novel. Pike — who apparently beat out Atwell and Alexa Davalos for the role — will play the daughter of a district attorney embroiled in a mystery involving six-foot-five ex-cop-turned-drifter Jack Reacher (Cruise) and a sniper. She next stars in The Big Year, and will appear in Clash of the Titans 2 in 2012; One Shot is set to begin shooting early next year. [Deadline]

Eventually

Eventually represents the ups and lower of the relationship between Anne Hathaways and Jim Sturgess figures during the period of two decades. An Emphasis Features (in U.S.) release given Random House Films in colaboration with Film4 of the Color Pressure production in colaboration with Twins Financing. Created by Nina Jacobson. Executive producer, Tessa Ross. Co-producer, Jane Frazer. Directed by Lone Scherfig. Script, David Nicholls, according to his book.Emma - Hathaway As Catwoman Dexter - Jim Sturgess Alison - Patricia Clarkson Steven - Ken Stott Sylvie - Romola Garai Ian - Rafe SpallThough moored by its appealing leads and directed by Lone Scherfig with customary snap and polish, "EventuallyInch rather too dutifully stories the 20-year relationship between two wise, attractive Britons, planning the incremental changes from flirtation and friendship to hard-won commitment. On the moment-by-moment basis, Hathaway As Catwoman and Jim Sturgess get this to lengthy-arc love story viable, often even vital. However the structural conceit proves more reductive than expansive, the large picture too overdetermined to actually sweep the viewer away. It'll prosper in ancillary eventually, but theatrically, Focus will depend on Hathaway to conquer a modest arthouse niche. Indeed, the actress appears to possess been selected more on her Stateside commercial appeal than her natural affinity for that role while she found innocent herself well within the British costume drama "Becoming Jane" (2007), Hathaway in the beginning feels slightly miscast because Emma Morley, whose Yorkshire background has a particularly tricky accent to understand. However the thesp's quick intelligence and inner spark assert themselves very quickly, making the bookish Emma a shrewd foil for Dexter Mayhew (Sturgess), the rakish charmer with whom she stays a chaste but intimate evening in her own U. of Edinburgh flat. That fateful one-evening quasi-stand happens This summer 15, 1988. The following scene is placed on This summer 15, 1989, as Dexter helps Emma transfer to her new London digs, their easy banter which makes it obvious they have become close friends. Annually along with a scene later, Emma is toiling away aimlessly in a Mexican restaurant while Dexter likes a far more glamorous summer time in Paris together with his mother (Patricia Clarkson). This summer 15, 1992, finds the duo travelling about the Brittany coast, with Emma drawing strict limitations that Dexter is too prepared to violate, as becomes obvious inside a skinny-sinking episode that comically backfires. So the film goes, missing dexterously, as they say, in one year to another until present, its story coalescing in scraps of narrative and slivers of feeling. While Emma struggles to create something of her writerly ambitions, Dexter turns into a famous TV personality, his boozy celebrity lifestyle driving a wedge between him and the family members. He navigates a never-ending number of female friends, eventually getting married to and getting a young child with upper-class Sylvie (Romola Garai), while Emma attempts to settle lower with Ian (Rafe Spall), a great guy she does not love. For the many good and the bad they have to endure before (and after) their miracle moment, Dex and Em are clearly destined for each other. To place it one other way, they're captives of the rigid chronological schema devised by film writer David Nicholls, somewhat too faithfully adapting his by divine intention popular 2009 novel. The book's more contrived developments -- the parallels and contrasts attracted between your two at various existence stages, the recurring dramatic significance of This summer 15 -- were given conviction through the author's lively, intelligent prose, his capability to complete each snapshot with mental detail and background texture. Nicholls' script pretty much distills the essence of every chapter in a number of tight, reasonably well-formed moments, but an important component of depth and spontaneity is missing. Time, among the story's key subjects, works out to not be about the film's side. This places a substantial burden about the lead stars to state Dexter and Emma's wealthy interior existence in addition to their essential rightness for each other, that they accomplish with aplomb. Sporting a what-me-worry grin that informs only half the storyline, Sturgess nails his portrait of the irresponsible party animal whose fifteen minutes of fame leave him in serious necessity of redemption and detox. If Hathaway appears a less apparent fit for Emma, the truth that she's playing the greater pleasant, reliable character within the equation rapidly will get the viewer on her behalf side. Like Hathaway, Clarkson projects this type of familiar lower-home American attitude that certain initially has trouble purchasing her like a Brit, though her performance comprises in emotional truth what it really may don't have any linguistic precision. Supporting cast is great throughout Ken Stott discloses shades of tenderness beneath a gruff exterior as Dexter's father, while Garai and Spall deliver supportive, perfectly judged turns because the other girl and guy, correspondingly. Scherfig's follow-as much as her '60s-set "InstructionInch finds her again incisively going through the London of history, although balance newer past. Benoit Delhomme's fine widescreen lensing captures a town of cramped living quarters, crummy local dives and pulsing nightclubs, favoring more appealing, postcard-like sights of Paris and Edinburgh in key sequences. Rachel Portman's treacly score aside, the soundtrack is a little too fastidious in piling about the 1990's hits an identical attentiveness governs Odile Dicks-Mireaux's costume options, right lower towards the "Chinese-style affair of wealthy blue silk" Nicholls describes Emma as putting on to some friend's wedding. Thesps' wardrobe, hair and makeup accomplish the illusion of subtle aging, despite Hathaway's from time to time over-conspicuous alterations in coiffure. Game titles showing the passing of every year are good classy production package.Camera (Luxurious color, widescreen), Benoit Delhomme editor, Barney Pilling music, Rachel Portman music supervisor, Karen Elliott production designer, Mark Tildesley supervisory art director, Denis Schnegg art director, Katrina Dunn set decorator, Dominic Capon costume designer, Odile Dicks-Mireaux seem, John Casali seem designer/supervisory seem editor, Glenn Freemantle re-recording mixers, Ian Tapp, Richard Pryke effects supervisor, Mark Holt stunt coordinator, Jim Dowdall assistant director, Barrie McCulloch second unit camera, Frederic Martial Wetter casting, Lucy Bevan. Examined at Clearness screening room, Beverly Hillsides, This summer 26, 2011. MPAA Rating: PG-13. Running time: 108 MIN. Contact Justin Chang at justin.chang@variety.com

Videos and Chris Evans pic published from Avengers shoot

Reviews in the group of The Avengers recommended that rain in Cleveland had stopped play, but two videos of the crowd scene which have made an appearance online suggest you cannot keep a great super hero movie lower. The firstwas taken by YouTube user Andy Baker from his office window.The secondcaptures the experience at walk out and was taken by local newspaperThe Plain Dealer.Meanwhile, CelebBuzz! Papped Chris Evans (begin to see the image towards the top of this story) along with a poster about the Super hero Hype forums shared the exciting image below.